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The Yellow Leaf Puts Playful in the Play
The Yellow Leaf, by playwright Charles Morey, is a hit.  For fans of classic horror  fiction, the name of the co-lead, Mary Shelley, should ring a bell (think pitchforks and scythes instead of a clapper). Yes, she wrote Frankenstein.  The play focuses on a summer in the Swiss Villa owned by famous English poet and all around libertine, Lord Byron.  The basic historical events are accurate and includes the rainiest European summer on record, the dreariness of which leads to a (lucky for us readers) horror story writing contest; oh,  and love triangles not so subtly  insinuated, between poet Percy Shelley, his common law wife Mary Shelley, her  half sister Claire Clairmont, the Lord Byron, and possibly homosexually  Dr. John William Polidori.

Love triangles, in a play you say?  Yep, love triangles, and right here at the Pioneer Theater at the University of Utah.  These historically likely liaisons are presented with appropriate tact, but refreshing honesty.  The story draws frequent laughter, and wrings the occasional tear, from the audience.  This alone would mark the play as a success.  The set is simple but elegant, and the costuming is excellent.  This would add up to a very good play.

But it is Mr. Morey’s dialogue that tips the scales to "It's A Hit.”  The conversations, especially those delivered by Bjorn Thorstad, the lanky spitfire who plays Lord Byron, make you wish you were a participant.  The vocabulary is just beyond what most of us could piece together in real life, yet it remains within our listening grasp.  In short, the dialogue among these extraordinary people will leave you laughing, crying, and most certainly jealous that you did not know them.  Although after seeing the play you will feel you did.

I strongly recommend the Yellow Leaf.  For more information or to book tickets, go to www. pioneertheater.org.



 
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